1984 《小爸爸的天空》(導演陳坤厚)
1985 《青梅竹馬》(導演楊德昌)
1985 《童年往事》
1985 《最想念的季節》(導演陳坤厚)
1986 《戀戀風塵》
1987 《尼羅河女兒》
1988 《外婆家的暑假》(電視單元劇;導演柯一正)
1989 《悲情城市》
1993 《戲夢人生》
1995 《好男好女》
1996 《南國再見,南國》
1998 《海上花》
2001 《千禧曼波》
2003 《咖啡時光》
2005 《最好的時光》
2007 《紅氣球》
參考資料
Berry, Michael. 「Words and Images: A Conversation with Hou Hsiao-hsien and Chu T』ien-wen.」 Positions 11, no. 3 (Winter 2003): 675-716.
Browne, Nick. 「Hou Hsiao-hsien』s Puppetmaster: The Poetics of Landscape.」 Asian Cinema 8, no. 1 (Spring 1996): 28-38.
Chi, Robert (紀一新). 「Getting It on Film: Representing and Understanding History in A City of Sadeness.」 Tamkang Review 29, no. 4 (Summer 1999 ): 47-84.
Chu T』ien-wen. Notes of Desolate Man. Trans. Howard Goldblatt and Sylvia Li-chun. New York: Columbia University Press, 1999.
Ellickson, Lee. 「Preparing to Live in the Present: An Interview with Hou Hsiao-hsien.」 Cineaste 27, no. 4 (September 2002): 13-19.
Huang Chun-ming. The Taste of Apple. Trans. Howard Goldblatt. New York: Columbia University Press, 2001.
Li Tuo (李陀). 「Narratives of History in the Cinematography of Hou Xiaoxian.」 Positions 1, no. 3 (Winter 1993): 805-815.
Ping-hui, Liao (廖炳惠). 「Rewriting Taiwanese National History: The February 28 Incident as Spectacle.」 Public Culture 5, no. 2 (1993): 281-296.
——. 「Passing and Re-articulation of Identity: Memory, Trauma, and Cinema.」 Tamkang Review 29, no. 4 (Summer 1999): 85-114.
Lupke, Christopher. 「The Muted Interstices of Testimony: A City of Sadness and the Predicament of Multiculturalism in Taiwan.」 Asian Cinema 1, no. 15 (Spring 2004):5-36.
Neri, Corrado. 「A Time to Live, a Time to Die: A Time to Grow.」 In Chris Berry, ed., Chinese Films in Focus: 25 Takes, pp. 160-166. London: British Film Institute, 2003.
Reynaud, Berenice. A City of Sadness. London: British Film Institute, 2002.
Silbergeld, Jerome. 「Chapter 3. The Chinese Heart in Conflict with Itself: Good Men, Good Women.」 In Hitchcock with a Chinese Face: Cinematic Doubles, Oedipal Triangles, and China』s Moral Voice, pp.74-116. Seattle: University of Washington Press, 2004.
Tam, Kwok-kan and Wimal Dissanayake. 「Hou Hsiao-hsien: Critical Encounters with Memory and History,」 In Kwok-kan Tam and Wimal Dissanayake, eds., New Chinese Cinema, pp. 46-59. Oxford: Oxford University Press, 1998.
Udden, James. 「Hou Hsiao-hsien and the Question of a Chinese Style.」 Asian Cinema 2, no. 13 (Fall/Winter 2002): 54-75.
——. 「Taiwanese Popular Cinema and the Strange Apprenticeship of Hou Hsiao-hsien.」 In Mmodern Chinese Literature and Culture 1, no. 15 (Spring 2003): 120-145.
Various. Hou Hsiao-hsien. Paris: Cahiers du cinema, 1999.(中文版《侯孝賢》,台北:電影資料館,2000。)
Wang, Ban. 「Black Holes of Globalization: Critical of the New Millennium in Taiwan Cinema.」 Modern Chinese Literature and Culture 1, no. 15 (Spring 2003): 90-119.
Xu Gang, Gary. 「Flowers of Shanghai: Visualising Ellipses and (Colonial) Absence.」 In Chris Berry, ed., Chinese Films in Focus: 25 Takes, pp. 104-110. London: British Film Institute, 2004.
Yeh, Yueh-yu. 「Politics and Poetics of Hou Hsiao-hsien』s Films.」 In SheldonH. Lu and Emilie Yueh-yu Yeh, eds., Chinese Language Film: Historiography, Poetics, Politics, pp. 163-185. Honolulu: University of Hawaii Press, 2005.
Yep, June. Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary. Durham: Duke University Press, 2004.
朱天文,《千禧曼波:電影原著中英文劇本》,台北:麥田,2001。
───,《好男好女:侯孝賢拍片筆記分場、分鏡劇本》,台北:麥田,1995。
───,《朱天文電影小說集》,台北:遠流,1991。
───,《悲情城市》,上海:上海文藝出版社,2001。