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陳凱歌:歷史革命與反叛電影(12)

參考資料

Ah Cheng. Three Kings. Trans. Bonnie S. McDougall. London: William Collins Sons, 1990.

An, Jingfu. 「The Pain of Half Taoist: The Taoist Principles, Chinese Landscape Painting, and King of the Children.」 In Linda Erlich and David Desser, eds., Cinematic Landscape: Observations on the Visual Arts and Cinema of China and Japan, pp. 117-126. Austin: University of Texas Press, 1994.

Braester, Yomi. 「Farewell My Concubine: National Myth and City Memories.』 In Chris Berry, ed., Chinese Films in Focus: 25 New Takes, pp. 89-96. London: British Film Institute, 2003.

Chen Kaige and Tony Rayns, King of the Children and the New Chinese Cinema. London: Faber and Faber, 1989.

Chow, Rey. 「Silent Is the Ancient Plain: Music, Filmmaking, and Conception of Reform in China』s New Cinema」 and 「Male Narcissism and National Culture: Subjectivity in Chen Kaige』s King of Children.」 In Primitive Passions: Visualizing Sexuality, Ethnography and Contemporary Chinese Cinema, pp.79-141. New York: Columbia University Press, 1995(中譯本《原初的激情》,遠流出版。)

——. 「The Seduction of Homecoming: Place, Authenticity, and Chen Kaige』s Tempress Moon.」 In Wen-hsin Yeh, ed., Cross-Cultural Readings of Chineseness: Narratives, Images, and Interpretations of the 1990s, pp. 8-26. Berkeley, CA: Center for Chinese Studies, 2000.

Kuoshu, Harry H., Chen Kaige, and Wendy Larson. 「3. Farewell My Concubine (Bawang bie ji, dir. Chen Kaige, 1993)」 and 「11. Yellow Earth (Huang tudi, dir. Chen Kaige, 1984).」 In Harry H. Kuoshu, ed., Celluloid China: Cinematic Encounters with Culture and Society, pp. 69-85. Carbondale: Southern Illinois University Press, 2002.

Larson, Wendy. 「Duanwu Goes Home: Che Kaige』s Tempress Moon and the Politics of Homecoming.」 In Wen-hsin Yeh, ed., Cross-Cultural Readings of Chineseness: Narratives, Images, and Interpretations of the 1990s, pp. 27-52. Berkeley, CA: Center for Chinese Studies, 2000.

Lee, Lillian. Farewell My Concubine: A Novel. Trans. Andrea Lingenfelter. 1993; reprint, New York: HarperPerennial, 1994.

Leung, Helen Hok-Sze. 「Yellow Earth: Hesitant Apprenticeship and Bitter Agency.」 In Chris Berry, ed., Chinese Film in Focus: 25 New Takes, pp.191-197. London: British Film Institute, 2003.

McDougall, Bonnie S. The Yellow Earth: A Film by Chen Kaige with a Complete Translation of the Filmscript. Hong Kong: The Chinese University Press, 1991.

Silbergeld, Jerome. China Into Film: Frames of Reference in Contemporary Chinese Cinema (chapters 1, 3, 6). London: Reaktion Books, 1999.

Tam, Kwok-kan and Wimal Dissanayake, eds. 「Chen Kaige: Steps Toward a Personal Cinema.」 In Kwok-kan Tam and Wimal Dissanayake, eds., New Chinese Cinema, pp.11-22. Oxford: Oxford University Press, 1998.

Yan, Esther C. M. 「Yellow Earth: Western Analysis and a Non-Western Text.」 In Chris Berry, ed., Perspectives on Chinese Cinema, pp. 62-79. London: British Film Institute, 1991.

Zhang Xudong. 「A Critical Account of Chen Kaige』s King of Children.」 In Chinese Modernism in the Era of Reforms, pp.282-305. Durham: Duke University Press, 1997.

李爾葳,《直面陳凱歌:陳凱歌的電影世界》,北京:經濟日報出版社,2002。

倪震,《陳凱歌:中國歷史文化的詮釋者》,收錄於羅藝軍編,《華語電影十導演》,頁155—207。杭州:浙江攝影出版社,2000。